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Zero-Waste fashion tutorials: Kimono Cape-Coat | Elena Fashion ...
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Zero-waste fashion refers to items of clothing that generate little or no textile waste in their production. It can be considered to be a part of the broader Sustainable fashion movement. It can be divided into two general approaches. Pre-consumer zero-waste fashion eliminates waste during manufacture. Post-consumer zero-waste fashion generates clothing from post-consumer garments such as second-hand clothing, eliminating waste at what would normally be the end of the product use life of a garment. Zero-waste fashion is not a new concept - early examples of zero-waste or near zero-waste garments include Kimono, Sari, Chiton and many other traditional folk costumes.


Video Zero-waste fashion



Pre-consumer zero-waste design

Two general approaches fall under this category, both of which occur during a garment's initial production. In zero-waste fashion design the designer creates a garment through the pattern cutting process, working within the space of the fabric width. This approach directly influences the design of the final garment as the pattern cutting process is a primary design step. It is difficult to design a zero-waste garment solely through sketching, although sketching can be a useful speculative tool. Zero-waste manufacture, of which zero-waste design is a component, is a holistic approach that can eliminate textile waste without modifying the garment patterns.

Zero-waste pattern designers

Designers that have used this approach, or approaches to cutting that have an affinity with zero-waste fashion design, include

Danielle Elsener

Zero-waste manufacture

Approaches can include the use of technology such as whole garment knitting and the relatively new DPOL a patent by designer Siddhartha Upadhyaya, but often waste is eliminated by reusing the off-cuts in other products. Designers and companies that have used these approaches include:

Alabama Chanin
August (Direct Panel on Loom / DPOL) by Siddhartha Upadhyaya
Pretcastle by Shreya Upadhyaya & Siddhartha Upadhyaya
Issey Miyake
Sans Soucie
Worn Again
DaRousso
Tonle
Charlene O'Brien

Differences from standard fashion production

A standard garment production process may begin with a drawing of the desired garment, a pattern is then generated to achieve this design, a marker is made to most efficiently use the fabric (without modifying the pattern shapes), the pattern pieces are then cut from the cloth, sewn, packed and distributed to retailers. Standard garment production generates and average of 15% textile waste due to the stratification or hierarchy of the garment production process.


Maps Zero-waste fashion


Post-consumer zero-waste

This design approach utilises the remnants of the fashion cycle to produce new garments from second hand or surplus goods. Practitioners include:

Martin Margiela
Goodone
Pretcastle
Nick Cave
Sans Soucie
Worn Again
Rhetorical Factory

Zero Waste Fashion Dress: In Two Versions | The CREATIVE CURATOR
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Waste elimination hierarchy

The waste hierarchy consists of the three 'R's' - Reduce, Reuse, Recycle, in order of impact. Zero-waste fashion design eliminates pre-consumer textile waste, while not necessarily addressing waste created during the use life and disposal phase of the garment's life cycle.


zero-waste fashion by timo rissanen // via hyperexperience.com ...
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Notable contributions

  • Dorothy Burnham: Cut My Cote from 1973 was a seminal text that summarised decades of Burnham's research into cuts of traditional dress.
  • Madeleine Vionnet's design approach aligns itself well to zero waste fashion design and many of her garments had minimal waste.
  • Alison Gwilt and Timo Rissanen's book Shaping Sustainable Fashion includes a number of references to zero waste fashion

Zero-waste fashion clothing project at art exhibition
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Exhibitions

  • DPOL by Siddhartha Upadhyaya exhibited at London Science museum, Antenna Exhibition for its breakthrough in sustainable and zero waste fashion.
  • Bad Dogs by Timo Rissanen, UTS 2008.
  • ZERO Waste: Fashion Re-Patterned 2011. Curated by Arti Sandhu from Columbia College, Chicago.
  • YIELD: Making fashion without making waste 2011. Curated by Timo Rissanen and Holly McQuillan held at The Dowse Art Museum, New Zealand and Textile Arts Center, Brooklyn.
  • AUGUST & AIGHT : A commercial show of Zero Waste / DPOL products exhibited by Siddhartha Upadhyaya and Shreya Upadhyaya at Ethical Fashion Show, Paris Fashion week, Sep 1-6, 2011

Zero Waste on Behance
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References


Elena Fashion Design Workshops | Zero-Waste Design Projects: 2015
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External links

  • Emma Grady for Discovery Treehugger
  • NYTimes Article on Zero Waste
  • Article on the benefits of wholesale clothing to avoid waste

Source of the article : Wikipedia

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